Interview with the lovely, beautiful, and incredibly creative Fiona Firestorm. Pt 1

 
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Last month Thane and I got together with Fiona for a interview. Thane wrote all the questions and I kept track of the dialogue tags. Let me tell you, it was LOOOOOONNNNNGGGGG. We were up till about 5:30am talking through all of this, so be warned that a lot of it has been removed so that it’s actually readable and stays on track.

Unfortunately I haven’t had the chance to talk about Fiona as much as I would like, so let me tell you a bit about her. Fiona Firestorm is an incredibly creative author (who really likes to stab you through the heart with feels) who I have known for many years. She is talented, tenacious, clever, quick witted, and hilarious. If you haven’t already go check out her website: Firestorm17.wixsite.com, where you can discover all her incredible stories and even subscribe to her blog!

We as authors, really want to get to know you as readers. So please, if you have any other questions you'd like to ask Fiona, Thane, or myself, comment below.

Ready Fiona? Let’s go!


 

Favorite author?

Thane: So let's start with something pretty simple. Favorite author. 

Fiona: Oh you're kidding me... 

 Thane: Well... Yeah, not so simple.

 Fiona:  I mean. Okay, you ask- you guys have problems with like the question "favorite book?' right? 

 Thane: That's... That's the next one...

Fiona: *Mouth open in outrage* Oh you- evil...  little- okay. It depends on how I'm feeling. I really like C. S. Lewis. And I really like the guys who did Peter and The Starcatchers, and I really loved Eragon and how it was written, and also a Wrinkle in Time, which some people really don't like. *Thane and Fiona Fangirl for a hot minute* So anyways, where were we? 

 

Favorite book?

 Fiona: Well like I said,  Peter and the Starcatchers would be my go to, to say to those who really don't understand that it's impossible to pick a favorite book You Guys Should Know This!

Vira: We do, and that's why we put the question in. 

 Thane: So would you say your favorite series would also be on that list you ranted about there?

 Fiona: mmmm, I really loved I Am Number 4 for the first couple of books, but then I got bored for whatever reason and just stopped. Um, I really do like Eragon. I really Like The Chronicles of Narnia, I really like- Oh! The Lunar Chronicles. Really- REALLY. They're my favorite... Um, Marissa Meyer? *Thane confirms that* Yeah. She's my favorite author- she's great. Actually, I have another favorite book series. Um. *snaps* Pern by Anne McCaffrey. *goes on another looooooonng fangirl rant about the books* 

 

What brought you to writing?

Thane: What brought you to writing? Like-

Fiona: I actually have a really good story for this. *Claps hands excitedly* I actually hated writing for a really really long time. You know, I would sit there and cry for an hour because I had to write a sentence that was structured for me, but I just didn't want to write it. So I'd spend thirty minutes figuring out how I could make it shorter. It was really bad. *Deep breath* until I decided at one point to write these little scenes called "Dog Football" I had seen one of my dogs toss a ball with the throw of his head and the other dog pick it up, and I thought it looked like football. I was probably six. So I was like "OKAY. I'm going to write Dog Football." I pretended I was the announcer and our two dogs at the time were the main players in this,

*Vira whispering in the background*: So precious

Fiona: and actually the only players in this so I would kinda voice it out in my head. *In deep announcer voice* "Oh and Chance catches the ball and runs to the fifty-yard line!" and I would write this out! *laughs*

 *Thane laughs hysterically*

Fiona: Thane, are you okay?

 *More laughter* Thane: It's amazing. 

 Fiona: We still have it somewhere actually. It's- my, my mother kept it actually because I wrote like, it was a good 9 pages of it. Just, in these little paragraphs of different games, they were really short, but I think for being six and hating writing I think they were pretty good. So proud of them. My sister absolutely hated them.  Because anything that I was doing with writing or reading took me away from playing with her, so she just hated the whole idea for the longest time. That's how I got started and then didn't write for a long time, but it didn't seem so foreign to me, and then after playing the "Enchanters game" with [Thane] and her, then, I don't know it just kinda seamed the natural jump from there. 

Thane: That is so interesting. Most people don't have a good story (Fiona: Yes!) for that- That leads into the next question.

Who/what taught you to write, and how to write well? 

Fiona: *Grimaces* reeadding mostly? *Gestures wildly* ss- I would just read stuff and then I wrote and it just kinda happened. I would hear a lot of writing advice but never when I was writing. I would just think, oh, that makes sense. But I'm not sure if I ever used it or not. This is why my sister is a better writer than I am. She actually listens to all the advice and uses it. I just.. Don't know what I'm doing and make it up as I go. 

Thane: Well... That's one way to do it. 

*Fiona bounces in chair while waiting for next question* 

 

Description or dialogue?

Thane: You kinda answered some of these questions within your long.. answer thing *Frantically tries so find next question* *Struggles while Vira and Fiona laugh* *has the "ah ha" moment* Oh! So a lot of people think description is easier and dislike/aren't good at dialogue. Which type are you? Description or dialogue. 

Fiona: I love both actually... Dialogue is easiest because I spend most of my time dialogue-ing things in my head. But I also love description cuz I could never- gee how do you say it now- I can't art, is that how that goes? 

*Vira and Thane giggle in the background*

Fiona: Stop laughing at me!

*Laughing continues, and Fiona joins in*

Fiona: If I can't Art, this is.. how I do that. I can describe things in ways other people can't so I might as well use it. I just can't combine them very well. I can either describe, or I can dialogue.  

 

Panser or planner?

Thane: I'm running with the "there's two types of people thing" So there are Pansers, and there are planners/plotters, which are you?  Pansers are like... *struggles to find words* you- they write from the seat of their pants- you don't- you don't- aaaaahhh outline or anything, you just write.

*Alexander Hamilton reference from Fiona that Thane doesn't understand and Vira enjoys*

Thane:  And planners are- are plotters, which are you? 

Fiona: *Frowns* Both I guess? *Gestures over head* I plan everything out in my head first, and then I write it, then I realize it's crap. So I scrap the whole thing and write it again. Well actually the first time I plan it all out in my head, and nothing actually make sense, so I use big elaborate plan and write freehand *gestures wildly* and write from the seat of my pants. Then realize it's crap from there. SCRAP everything! Re-plan the story, write it a second time and it's just a process of writing it better each time, and it becomes less and less horrifying to read. 

 

Writing or Typing?

Fiona: I used to write it, I was very religious about writing it. I had to write it all down... and in pen. It- um *can't get words out* In just pen. Not pencil. PEN. I also do that in my math work... Has to be in pen... 

Thane: *Mumbles* People who do their math in pen terrify me...

 Fiona: So now I do it on the computer simply because I can write about 150 words per minute and that's not quite fast enough to keep up with my thought process, but it's closer. It means that I don't get so far ahead of myself when I'm writing and lose things in translation.

*Thane and Vira mutter about how jealous they are of that typing speed* 

 

Do you start your stories with the characters, plot, or world building?

Thane: Do you start your stories with the characters, plot, or world building. I know when we started working on our books, the characters came to us and then everything developed around that. *Continues to way over explain* 

 Fiona: Start with Characters. Always. Characters come first. You are watching something, have an epiphany for a character. Realize you really love this character. Create another character to compliment the first character. Then, realize that no, these characters are too amazing for this stupid show your watching, so they obviously need their own thing. Realize, oh shoot, now I have to make my own thing, again. This is another story. This is a really bad idea. Shoot. I'm doing it anyway. Oh well. *extremely deep breath* Then you go into the world building process. Because world building is cool. I actually don't do world building. I skip straight to developing societies. I love it. You know, how people interact with each other, and why, what's considered societal norms, what isn't, why. What is black and what is white and according to whom and why? And It's so much fun! *Flaps hands* I love that part! I honestly- my favorite part about creating my current world was creating the society of Tidecamp. Which is barely even mentioned in the book. But it is Crystals people, it is Fiona's people. This little, nomadic, tribe thing I spent a solid 2 and a half month developing them because I fell in love with them. 

 Thane: That's the best part of being a writer, isn't it? 

Fiona: Yes. So world building doesn't exactly happen. Like I know there is a mainland, and I know there is an archipelago, and what that looks like. World building basically doesn't happen. So I guess it's character, to society, to- what was the other one?

*Slightly awkward silence* Thane: Plot

Fiona: Plot... um, well actually right before world building I come up with- ... I love characters because I love how they react, how they function, you know, I study people. I read people for a living, it's what I enjoy doing most, so usually, when I create a character, the main problem comes at the same time. So those two are kinda combined. 

What is your least favorite part of writing?

Thane: To bring us back onto topic, what is your least favorite part about writing? 

 Fiona: Well, other than the writing? 

Thane: Well, yes. Be more specific. We all hate it at times but what specifically about it makes you not want to return to the keyboard and write? 

Fiona: Well I know what I want a scene to feel like. The only reason I even I ever actually write, it because I want to inspire emotion. Even if it's just for my reader to absolutely hate what they are reading. It inspires an emotion in them. So I always know what I want a scene to feel like when I go into it, and sometimes I just can't make it feel that way when you read it. So then it feels stupid, and I hate it, and I scrap it. And then I write something else because it feels right but I know I shouldn't do that, that's not right. And wow I am rambling, again.


 

Unfortunately that’s all for today, I’ll be posting the second segment of Fiona’s interview very soon. If you have any questions for Fiona please comment below or just head to her site. Or if you have any questions for Thane or I, ask those too! We’d be more then happy to do another interview to answer all your questions!

Namárië,

~V

Oh where the road may lead...

 
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Hey everyone! So sorry I haven’t been posting recently, it has gotten crazy hectic over here for so many reasons. In lieu of that, I have a question to ask. Most times I post about things that I am struggling with in writing or in life and that I want to share with all of you, but with everything going on its really hard to find time to decide what to write about. So, here’s the question:

What do you guys want to read about?

Whether it’s things you want to know about writing, life, or something random, shoot me an email or leave a comment and tell me what you’d like to hear about! I love having the chance to talk to all of you and get feedback.

Unfortunately that concludes today’s post but I can’t wait to hear from you all!

Namárië,

~V

Carefully constructed conversation choices concerning characters

 
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Who else has trouble making small talk?

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“How is the weather over there, Teresa?”

“Oh, it’s wonderful Vira, you should come to visit soon.”

*Me with absolutely no intention of visiting anytime soon* ”That sounds absolutely amazing, I would love to!”

*cue awkward silence* “So Vira… How’s your dog?”

“My dog died last year, Teresa.”

“…Oh”

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You get the picture. Small talk sucks, especially when you’re reading it. Unfortunately, this creates a problem since small talk is a crucial part of getting to know someone. Communication is key in a relationship, and unfortunately for us writers, that means *dramatic organ music* Dialogue *dun dun duuunnnnn*. Many writers struggle with their dialogue sounding two dimensional; it’s flat, flabby, and very dull. In essence, it’s predictable.

“But V, didn’t you say that your writing seems predictable because you wrote it?”

That I did my young Padawans!

Sometimes your writing seems predictable to you because A) you wrote it. And B) you’ve read it. However, there is a difference between your writing feeling predictable to you and predictable to your reader. Your writing feeling predictable to you is common and is nothing to be afraid of, my guess is that no one would even notice if they read it at that very moment. However, writing feeling predictable to readers toes the very same edge of that thin line. When dialogue is predictable to readers, they zone out.

Have you ever read a scene where the guy and the girl are just starting to get close, or have just started dating, and suddenly the guy’s old ex or a very attractive girl shows up. His girlfriend/almost girlfriend catches him kissing the new girl and runs off in tears. Yeah, you know the scene I’m talking about. Now, frequently after such an instance, one of two things happens.

1) The boy runs after the girl shouting her name and claims that the new girl came onto him and that she kissed him! It wasn’t his fault! He never meant to hurt her! etc. etc. etc.…

2) The boy admits to making a mistake and claims that he never wanted to hurt her but got scared and fell back into his old ways. He asks for another chance and plays a sob story card.

I can’t tell you how many of these I’ve read. So so so so many. The conversations are predictable and boring. The book isn’t over, and we know that she’s going to take him back because it’s taken half the book to even get to this point, the author isn’t going to waste their remaining chapters with the girl pining over the loss of this boy. We’ve seen it so many times before that we’ve almost begun to accept it. That’s how you know that your dialogue is predictable.

Now don’t get me wrong, I’m a sucker for clichés. In fact, (little side trail here) I’m such a sucker for clichés that my best friend had me listed in her phone as “cliché monster” for years (she probably still does). So why do clichés harm our reading?

Have you ever heard of a love triangle? Yeah, I can already hear the groaning. If done carefully, where romance isn’t the main focus, love triangles can be fine. After all, it’s not a bad thing to have a crush on two people. The only time it becomes a problem is when it is used as a source of conflict. *1920’s jazz music begins to play. Femme fatal places the back of her hand against her forehead.* “Oh, I love them both!. I can’t choose!” *record scratch* Yeah yeah we get it. Clichés hurt your reading because your reader has already seen how it plays out. They don’t pay attention anymore. In fact, many people, including myself, will actually stop reading a novel if the cliché becomes too apparent.

This same idea with cliché tropes also feeds directly into conversations. We all (at least I hope it’s not just me) imagine how we want conversations to go in our heads. Maybe it’s an argument, and the other person says something that gets on our nerves, and we instantly shut them down with the perfect comeback, or perhaps it’s the perfect way that our crush is going to confess their undying love for us, etc. etc. etc. The problem is things never exactly go as planned. And guess what? Readers know that. They can always tell when a conversation is set up.

The other day Thane and I were talking with our friend Fiona, and she made an excellent point about how to create a non-cliché conversation. She said, “It’s a real conversation. Not just a scene. These two people, real people, with dislikes and likes and flaws, are having a conversation. Don’t force it. it’s natural, or it’s not happening.”

(Side note: I don’t think I’ve told you guys much about Fiona yet. Disclaimer: she is an amazing author, probably better then I am, and you are all fools if you don’t go check out her work. You can find her at Firestorm17.wixsite.com, or find more information on my Associated Authors page)

Fiona makes an excellent point; these two people you have created have a fantastic amount of backstory behind each and every word. Like us, they don’t say the perfect thing or have the perfect comeback. They aren’t always fluent in sarcasm or have thick enough skin to keep from crying during an argument. They play favorites and take sides, and their voice has an edge when it shouldn’t, or they weren’t listening when it was important. They zone out, goof off, say things they shouldn’t. The characters we create are fallible. They make mistakes. They aren’t perfect. But that’s what makes a good character.

The Bible tells us that out of the heart, the mouth speaks. Their words, their voices, everything comes back to who they truly are. A little misplaced word here, a strange comment there, a vague hint at something more. As writers, we must learn how to write between the lines to give these characters the conversational depth and realism they deserve.